The Quarterjack’s Challenge • Allendale House (2012)

Two influential local people, Charles Castleman, former owner of Allendale House, and Hilda Coles, whose vision led to the founding of the Priest’s House Museum, each hosted an evening at their respective homes, to which some of Wimborne’s most worthy residents over the last thousand years were invited.

They were challenged to compete for the title of ‘Wimborne Worthy of Worthies’. Contenders included St Cuthburga, founder of the Minster Church, and Lady Margaret Beaufort, mother of Henry VII, as well as some lesser but equally significant entrants.

Wimborne residents were warmly invited to meet these notables and judge for themselves whose lives we hold in most esteem.


Poster for The Quarterjack’s Challenge • Allendale House
About the production

The Quarter Jack’s Challenge was first produced by Wimborne Community Theatre to celebrate the Millennium in 1999 and performed at Wimborne Minster on New Year’s Eve.  It was revived in adapted form as a seasonal presentation and performed in June and December 2012 at two of Wimborne’s most historic buildings: Allendale House and the Priest’s House Museum.  The June production was performed on two occasions at Allendale House and further adapted as The Quarter Jack’s Christmas Challenge for the December production at both venues.

Programme

© copyright of Wimborne Community Theatre

Press

Poetry

COPYING ARCHITECTURE IN AN OLD MINSTER

A Poem by Thomas Hardy

How smartly the quarters of the hour march by
That the jack-o’-clock never forgets;
Ding-dong; and before I have traced a cusp’s eye,
Or got the true twist of the ogee over,
A double ding-dong ricochetts.

Just so did he clang here before I came,
And so will he clang when I’m gone
Through the Minster’s cavernous hollows–the same
Tale of hours never more to be will he deliver
To the speechless midnight and dawn!

I grow to conceive it a call to ghosts,
Whose mould lies below and around.
Yes; the next “Come, come,” draws them out from their posts,
And they gather, and one shade appears, and another,
As the eve-damps creep from the ground.

See – a Courtenay stands by his quatre-foiled tomb,
And a Duke and his Duchess near;
And one Sir Edmund in columned gloom,
And a Saxon king by the presbytery chamber;
And shapes unknown in the rear.

Maybe they have met for a parle on some plan
To better ail-stricken mankind;
I catch their cheepings, though thinner than
The overhead creak of a passager’s pinion
When leaving land behind.

Or perhaps they speak to the yet unborn,
And caution them not to come
To a world so ancient and trouble-torn,
Of foiled intents, vain loving kindness,
And ardours chilled and numb.

They waste to fog as I stir and stand,
And move from the arched recess,
And pick up the drawing that slipped from my hand,
And feel for the pencil I dropped in the cranny
In a moment’s forgetfulness.

Sound Files

Listen to the opening soundtrack of the play with Thomas Hardy’s poem and ticking clock.

Poem read by Jeff Hart
Sound Design by Rob Hart

Location